Rainham Sheds Works for Live Art Danmark 2014 Concert at Hitparaden 2 Rainham Sheds The Rainham Sheds (not to be confused with these Rainham Sheds), at that time consisting of Kate Mahony, Jenna Finch and Rachel Dowle, played a radical set of post punk songs at our second Hitparaden festival. The band members also presented individual performances and played in the backing band for the fantastic “Disabled Avantgarde” Rainham Sheds The Rainham Sheds are a Post-punk all female maximum art-core, art-school group. They sing about theorists, Art Stars, shit jobs, mega-banter, sex with furniture and reminding themselves that he’s not her dad. Listen to the Rainham Sheds on Soundcloud. And […]

Jack Catling Works for Live Art Denmark 2014 “Remnant” and “Disabled Avant Garde” at Hitparaden 2. Remnant Jack Catling begins his performance at Hitparaden 2 standing on a small, messy stage at Pumpehuset, wearing a black suit and dangling an apple on a string from a small stick he is holding. The performer in a rumpled black suit, staring intensely at the apple, might be a frozen image from a slightly scary forgotten children’s game. He just stands, eying the apple, sometimes tugging at the collar of his white shirt, just long enough for the situation to feel a little uncomfortable. Suddenly he begins to simultaneously belt out Frank Sinatra’s […]

Katherine Araniello Works with Live Art Danmark 2014 “Institutional Classics” with the “Disabled Avant Garde” and “The Feral Ladykillers” with Jenna Finch at Hitparaden 2 Institutional Classics For Institutional Classics the Disabled Avant Garde mimic the format of a death metal concert replete with distorted feedback guitar and tambourine. The stars of the show, Katherine Araniello and Aaron Williamson take center stage, their faces covered in KISS-like make up and surrounded by their band of musicians. The DAG take on day-centre standards such as ‘Ten in The Bed (Rollover)’, ‘The Wheels on the Bus’ and ‘Skip to my Lou’, with the melodies heavily distorted into a very weird free form […]

Disabled Avant Garde Works with Live Art Danmark 2014 “Institutional Classics” at Hitparaden 2 Institutional Classics The performance “Institutional Classics” mimics the format of a pop concert, with the stars of the show, Katherine Araniello and Aaron Williamson taking center stage with their faces covered in black and white make up reminiscent of the style the band KISS uses, and surrounded by their band of musicians. Their program consists mostly of rather long versions of classic children’s songs like “The Wheels on the Bus go Round and Round” or “Old McDonald Had a Farm”, with the melodies heavily distorted into a very weird free form of punk, because Aaron, the […]

Simon Raven Work for Live Art Danmark 2014 “Blackguards” at Hitparaden 2, with Jenna Finch Blackguard “In all great houses, but particularly in the royal residences, there were a number of mean and dirty dependants, whose office it was to attend the sculleries etc. Of these (for in the lowest deep there was a lower still) the most forlorn wretches seem to have been selected to carry coals to the kitchens. To this smutty regiment… the people, in derision, gave the name of black-guards” (Ben Johnson, ‘Love Restored’, 1612) Blackguard (pronounced blaggard) is a rather old-fashioned term for a scoundrel. The lowest-of-the-low in a traditional royal household, the black-guard was […]

Jenna Finch Works with Live Art Denmark 2014 Jenna appeared in several performances during Hitparaden 2 Blackguards Together with Simon Raven, she performed “Blackguards”. The term derives from a derisive term for the lowest of the low servants in a royal household, the ones who had to carry coal to the kitchens. The term was later used as an insult. With social and economic inequality currently reaching new, extraordinary proportions, Jenna Finch and Simon Raven re-visited the images of the Blackguard by ineffectually guarding lowly objects at the festival entrance. The Feral Lady Killers Jenna joined Katherine Araniello to perform “The Feral Lady Killers”. While loud music was blasting from […]

Kate Mahony Works with Live Art Danmark 2014 “Foley” and several musical performances at Hitparaden 2 Foley Sampling traces its roots back to the technical experiments and manipulations of musicians and artists in the 1940s, finding its popular realisations in hip hop, electronic dance and industrial music of the 70s and 80s. In this hilarious performance, Kate presents a very low tech version of sampling. Entering the stage with a large plastic bag full of everyday objects that she brings out one at a time, she first crudely imitates the sound the objects make with her voice, than demonstrates the original sound by using (or, in some cases, abusing) the […]