She She Pop (DE)

She She Pop Work for Live Art Danmark 2005 “Warum tanzt ihr nicht?” at Berliner Luft 2 Warum tanzt ihr nicht? The ballroom is a promise, a place of great anticipations and secret desires and – as desires so often do not suffice – a place of hidden plans, old and new strategies and their spectacular staging. She She Pop turned the theatre space of Kanonhallen into a dance floor and showed the ballroom with all its myths as a pitfall of pathetically exaggerated expectations. Fantasy and reality diverged dramatically. Every dancer – prom queen, wallflower, gentleman or gate crasher – was caught in their role. The audience moved back […]

Otmar Wagner (DE/A)

Otmar Wagner Works for Live Art Danmark 2004 “Encyclopedia of Performance Art” at Berliner Luft 1 2005 “Stuff the Holes, Yeah!” at Berliner Luft 2 2012 “Song for Samtalekøkken” and “The Border” at Samtalekøkken 2021 “The Blind Gorilla” for Live Art for Børn at Ålborg Festuge 2021 “TOYS OF JOYLESSNESS or DISTURBANCE & DEBILITY” for Friisland opening and VR-exhibition Encyclopedia of Performance Art Otmar founded founded “Wagner/Feigl Forschung und Festspiele” together with Florian Feigl as a platform for their common projects in 1996. IN 2004 they performed their “Encyclopedia of Performance Art” for the first time in Denmark at our first Berliner Luft festival. The Encyclopedia is a potentially limitless […]

On Air (US/DE)

On Air Work for Live Art Danmark 2007 “Hotel Radio” at Berliner Luft 3. Hotel Radio In a certain hotel plans were made to broadcast, from a tower on the roof of the hotel. Radio broadcasts. The name of this hotel was the Hotel Radio. Richard Foremann Hotel Radio is presented as quasi “talk radio”. Sequences vary from quiz shows to phone-ins, on topics ranging from garbage to duck hunting. Fast switching between segments, technical confusion, interruptions, and silence create extreme changes in the atmosphere of the piece. Hotel Radio observes a single person in a game with different communication and information systems, and documents the loneliness which lies beneath. […]

Noah Holtwiesche (DE)

Noah Holtwiesche Works for Live Art Denmark2007 “Signifying Nothing” at Berliner Luft 32014 “Aibi/Alias” at Samtalekøkken, Inkonst Malmö Signifying NothingStanding close to his audience in a small basement room, after a lengthy introduction in which he explains the title (referring to the number zero), Noah informs the audience about his aim to establish an energy flow between them and a piece of steel, and what to do to end the performance. Noah then ceremoniously takes of his suitcoat, hangs it up, and leaves through the door behind him. Through the door he left open we see him in the next room, where he repeatedly lifts a length of steel beam […]

Jörn Burmester Wium (DE/DK)

Jörn Burmester Wium Works with Live Art Danmark 2009 “My Last Performance” for the launch of our book about the Berliner Luft festivals 2011 DIVA Artist in residence, “Performance Art is live, Theatre ist Death” 2011 “Random Rants”, Acts festival Roskilde 2011 “Rambo Revisionist” at Samtalekøkken 2014 “Teotwawki” and presentation of Performer Stammtisch at Hitparaden 2 Jörn is a permanent collaborator of Live Art Denmark as a consultant and writer. My Last Performance When we presented the book about our four Berliner Luft festivals at Warehouse 9 in November 2009, Jörn performed  “My Last Performance”. Reading from 200 index cards what “this, his last performance” should or should not contain, explore, […]

Gob Squad (DE/UK)

Gob Squad Works for Live Art Denmark 2009 “Gob Squad’s Kitchen” at Berliner Luft 4 Gob Squad’s Kitchen The performance takes one of Andy Warhol’s famous art films, Kitchen, as its starting point. Nothing much happens in the original film yet it somehow encapsulates the hedonistic experimental energy of the swinging sixties. Learning lines was considered ‘old fashioned’ so the actors just hang around. Sex, drugs and wild parties are referred to but nothing in particular takes place. Gob Squad set themselves the task of reconstructing Kitchen and other Warhol films, like Eat, Sleep and Screen Test. How can they get it just right? How do they know if they’re […]