Brian Catling

Work for Live Art Danmark
2013, Samtalekøkken, Nikolaj Kunsthal, Copenhagen

Standing to the side of the stage, or the area were the audience focusses their attention because a video is projected, Brian starts his performance by hiding his head between his hands, like someone in distress. The gesture slowly merges into others. His fingers move around his head and we seem to see devil’s horns or a vampire’s fangs. From a pocket of his impeccable black suit, he produces a disposable camera, and in slow, ceremonial gestures, reminding us of an uncanny and not very skillful magician, he snaps pictures of audience members, interrupted by the sound of the film being manually wound forward. All his movements are slow and measured, his large body hunched, the feeling of distress lingers. He produces a paving stone from somewhere, and, kneeling on the floor, methodically smashes his camera to bits, then pulls out the exposed film and dangles it from his mouth. No images are to be had, no understanding of this encounter is possible.

For a second action, Brian puts on a black ski mask to which he attaches several identical black gadgets. Their purpose remains unclear, but they emit a blinding light and a screeching sound, not unlike that of a swarm of birds in panic. He moves through the nave of the church that Nikolaj Kunsthal once was, sometimes closer, sometimes farther away from the audience, many of whom clutch their ears in distress. Finally, he disappears through a door in the wall with a no access sign on it and there, somewhere in the distance, the terrible sound finally fades.

About the Artist
Brian Catling teaches Fine Art at the University of Oxford. His oeuvre spans performance art, painting, video, sculpture, poetry and books, and he organizes a yearly Christmas cabaret of performance art, Cabaret Melancholique.

Videostill: Ellen Friis

Videostill: Ellen Friis

“I am obsessively engaged in the collision of separate activities that sometimes fuse together in a hybrid event – they being the writing of poetry, the constructing of sculptural installation and the action of performance. Most recently they have fetched up as video works.”

Additional information on Brian’s multi-facetted work can be found on his website and his Wikipedia page.

Om liveart_dk

Liveart.dk was founded in 2004 in Copenhagen to promote the discussion, documentation and development of live art in Denmark. The organisation is equally inspired by the imaginative and entertaining English Live Art tradition as by the theoretical and political German theatre tradition. We have organised 10 large international festivals of Live Art for kids and adults since 2004, and over 40 discussion events, books, video series, symposia and more in the field of live art, performance art, art criticism and documentation. We collaborate with theatres, music venues, art museums and festivals in Denmark and internationally.