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On Air Work for Live Art Danmark 2007 “Hotel Radio” at Berliner Luft 3. Hotel Radio In a certain hotel plans were made to broadcast, from a tower on the roof of the hotel. Radio broadcasts. The name of this hotel was the Hotel Radio. Richard Foremann Hotel Radio is presented as quasi “talk radio”. Sequences vary from quiz shows to phone-ins, on topics ranging from garbage to duck hunting. Fast switching between segments, technical confusion, interruptions, and silence create extreme changes in the atmosphere of the piece. Hotel Radio observes a single person in a game with different communication and information systems, and documents the loneliness which lies beneath. […]
Nicole Garneau Work for Live Art Danmark 2012 “Uprising” at Salon Saloon Uprising Nicole travelled large parts of Europe with her performance series Uprising, which aims to spread and rehearse revolutionary practices. In April 2012 she visited us in our livingroom to be part of our performance salon Salon Saloon. In this particular version of Uprising, Nicole talked about a textile workers strike in the United States in the 19th century, and made all participants study the labels of their clothes to find out where they had been made to make a connection to the present day. In the garment industry, we learned, working conditions are still poor in many […]
D Tiberio Works for Live Art Danmark2013, concert at Hitparaden 1 DJ, producer and muscian D Tiberio from Los Angeles played a set at our festival Hitparaden 1. Here are some of his newer tracks for your listening pleasure: About the ArtistD Tiberio is a skateboarder, producer and artist and from the Boyle Heights neighborhood of Los Angeles. His music has been released on Brownswood Recordings and primarily on Timetable Records, where Tiberio also contributes artwork and creative direction. Find him on Soundcloud here.
Anya Liftig Work for Live Art Danmark 2013 “Bad Salad” at Hitparaden 1 Bad Salad There’s a long line of performances that deal with human-animal relationships and cross-collaboration in Anya’s work . For her 10 minute performance in the courtyard of the venue of both Hitparaden, Pumpehuset in the center of Copenhagen, she expanded the scope of her often intimate relations with non-human organisms to the ingredients of a salad. Emitting sounds of fear and pain she shredded a head of iceberg lettuce, a bunch of carrots and various other vegetables using no tools, but her hands, teeth and other parts of her body. Her ferocious action transformed the usually […]